Coming January 24, 2020 : Xetas – The Cypher

(video directed by Kana Harris)

Xetas – The Cypher (12XU 120-1)   out January 24, 2020

Why do people start bands anymore? To get rich and famous? Compliment re-tweeting? To gain the respect of their peers in the RIAA? I don’t know, and I don’t have a computer so I can’t look it up. But I bet sometimes bands get started with no goal at all, beyond basics like don’t lose the keys to the practice space, and to share the excitement of making music together. From there, the goals become things like, get better at it, and do it more. But, again, no computer here, so, don’t know 100%.

Xetas have been doing exactly that, making wired, joyfully intense music ever since their first 7” in 2014. Their first two albums, ‘The Redeemer’ and ‘The Tower’, are compact, high-voltage, furniture-throwing gems. With ‘The Cypher’, they emerge after a year of work as a one-minded beast. The songs blast off and burn, but carry a new depth and weight. Inside gusts of ferocious noise there are subtly sweet melodies that stick in your head; volume gets quiet, tempos charge, slow down, stutter, and implode. The sounds are of a deeper dimension, surprising glimpses of (what’s that?) and (huh wow!). It all creates a rich emotional dimension, which you feel even while the band is thrashing you around in its jaws like an alligator.

Instantly you notice the vocal arrangements. Everybody sings every song, whether dividing verses or in unison, in true crew fashion. It’s a moving statement of intent. Punk rock? To be sure, but punk can mean anything goes. David Petro’s guitars come in countless layers of tension, incorporating punk mowdown and bad trip psych, at times bringing to mind Pen Rollings, Tara Key, and Roger Miller. On “The Objector,” bassist Kana Harris’s voice effortlessly shifts emotional gears as she reflects on power and change, leaving you to meditate on the lyrics “no one here will remember the old landscape.”

Maybe it’s a concept record? Could be, if the concept is figuring out how to survive by being yourselves, how to get better and better every day at being a band, and leaving nothing on the court. Isn’t that a concept every band should have? Is that even a concept? Isn’t that reality? It’s like I have to look everything up these days. – James McNew 



Xetas :
David Petro – guitar, vocals,
Kana Harris – bass, vocals
Jay Dilick – drums, vocals

‘The Cypher’ was recorded throughout 2019 at Estuary Recording, Austin TX and produced by John Michael Landon and Xetas.

stream / download “The Hierophant”

preorder ‘The Cypher’ on LP/CD  : 12XU / Bandcamp

(photo by Angela Betancourt)

(photo by Angela Betancourt)

“There Is No Exit Here” – The Xetas Tour Movie

“There Is No Exit Here” is a 62 minute film directed by Xetas’ Kana Harris, shot entirely on an iPhone 5 and captures the Austin trio in preparation for /during their summer 2017 tour in support of their second album, ‘The Tower’. Featuring bandmates David Lee Petro, Jay Dilick, Harris and a succession of peers/associates encountered during their self-booked travels west, ‘No Exit Here’ showcases Xetas in their DIY element and provides a glimpse or several into a touring circuit that’s far removed from the festivals and package tours that litter the news cycle.

order ‘The Tower’ from 12XU or via Bandcamp.

Coming April 14 : XETAS – ‘The Tower’

(photo by Julie Bishop)


Xetas
The Tower (12XU 095-1)

The most dangerous letter in the DIY Greek alphabet, XETAS are greeting 2017 with their sophomore album and spring tour, serious as a heart attack and more fun than the drugs they give you in the hospital after the medics bring you back to life.

Pumping through Austin’s clogged Red River arteries since 2014, the Austin firebrands have temporarily broken their vows of Shaolin silence with ten tracks of unadulterated defibrillation –an electrifying monument to distorted melody and verbal hooks brought to a full boil.

This, after spending most of 2016 dedicating their lives to anonymity and heated discussions as to whether the city’s most indispensable soundperson sleeps in his jacket.

Propelled by a new drummer -O.D.J.- who will one day drum a hole to China solely using jazz brushes, XETAS seemingly are on a collision course with the halls of power, despite the absence of any campaign coordination with the Russian ambassador.

Add in the blitzkrieg guitars, bass and vocals of D and K respectively and you’ve arrived at a collection of tools of the trade turned weaponized instruments the likes of which are sure to provoke many a sleepless night at NATO Headquarters.

Recorded over a 24-hour period in the fall of 2016 with engineer Ian Rundell (Carl Sagan’s Skate Shoes, Spray Paint, Empty Markets), the 37-minute, 10-track album was recorded in less than than 7 minutes –a testimony to the band’s energy and capacity for bending time and space after years of monastic devotion.

The melodies are dirty, distorted and delicious, dishing on the world in a jolting and at times unnerving manner, speaking truth to power, assuring a nation already grappling with insomnia under new federal management that it never sleeps again, in soundman Max’s jacket, or otherwise.Paul Stinson

preorder here