Category: Water Damage

Coming May 16 : Water Damage – ‘Instruments’ 2XLP

Water Damage is ten people from one town and one sound from twelve people. For Instruments, the plus two are guitarist David Grubbs and saxophonist Patrick Shiroishi, neither of whom blunt the angle or confound the aim. The tempo? Slow and low. Four tracks, averaging twenty minutes each, the pace never above a comfortable walk. The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and “Reel 25” takes after the Shocklee Brothers, in a cry. Stop asking the lord how many drummers this band has and and ask him how much of your mind, babe. Some people say drone and same people say trance and some people say invocation through patterned unity. Some people just say rock and we let them set their clocks back. Lie down and let these holy treads flatten you. Just because Water Damage know what they are doing doesn’t mean you have to. Fix your hearts or die! – Sasha Frere-Jones

UK/EU orders – please visit our good friends at Cardinal Fuzz who are releasing ‘Instrument’ in your countries : cful.bandcamp.com

WATER DAMAGE is Mari Maurice, Thor Harris, Jonathan Horne, Nate Cross, Danielle Hills, George Dishner, Travis Austin, Mike Kanin, Greg Piwonka and Jeff Piwonka

Patrick Shirioishi – Baritone saxophone on Real 28
David Grubbs – Guitar on Reel 25, Reel 32

Engineered by Max Deems at Diseased Tapes Billion Dollar Studio. Mixed by Travis Austin, Mastered by Chris Hardman. Lacquers cut by Carl Saff.
Art and design by Greg Piwonka.

“India (Slight Return” written by Pärson Sound

Coming April 12 : Water Damage – ‘In E’ 2XLP

Water Damage – ‘In E’ 2XLP (12XU 157-1_
out April 12, 2024

preorder from Bandcamp
preorder from 12XU

Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas’s Water Damage. On their new record “In E”, Water Damage continues to scorch the earth with walls of punishing sound. It’s no secret that something truly special can happen to the psyche when you are being pummelled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water Damage are the rare “rock” band that follow in the lineage of artists like Faust, Tony Conrad, Steve Reich and Pärson Sound, one that creates such heavy yet minimalistic audio treasures that not only hit you viscerally but also give space to contemplate on your place in the cosmos. Their longest offering yet, Water Damage hits you with 4 side long tracks of krautpunk ending with a cover of “Ladybird” by Shit & Shine featuring Craig Clouse himself on vocals. Drone until you hear god speak.

– Joe Trainor, Dummy

Engineered by Max Deems at Diseased Tapes Billion Dollar Studio. Mixed by Travis Austin. Mastered and lacquers cut by Carl Saff at Saff Mastering. Art and design by Greg Piwonka.

“Ladybird” written by Shit & Shine.

Water Damage is Mari Maurice, Thor Harris, Jonathan Horne, Nate Cross, George Dishner, Travis Austin, Mike Kanin, Greg Piwonka, Jeff Piwonka and Lonnie “Palmtree” Slack.

Coming June 2 : Water Damage – ‘2 Songs’

(photos by David Fox)

Water Damage – ‘2 Songs’ (12XU 141-1)
out June 2, 2023

More Water! More Damage! The second proper LP by this Texan juggernaut is even more biggerer than the first, a head-drowning pair of new “reels” (every Water Damage tracks generally take up a reel of tape, hence the “reel ____” song titles) that makes you feel like you’re swimming in a sun-drenched river of sound. Two drummers, two bassists, and tons of vibrating strings are once again a recipe for massive rocking-drone fires.

“Two Songs” has two songs, and they’re kind of the yin/yang of Water Damage: one toned very low, growling and roaring, groaning over a beat, while the other hums high, troubling the treble clef and ringing like a bunch of church bells that don’t want to be in church. They’re more alike than different though, divining momentum from repetition, flying forward by staying in place, climbing a mountain that they’re building as they go.

Enough ink has already been spilled about the previous-band pedigrees of the players in this hurtling collective, and by this point, the past seems way less relevant than the present when it comes to Water Damage’s present-pounding sound. These people know what they’re doing, sure. You don’t need a resume in front of you to figure that out. It’s there in every second of this gigantic, eternal music – in all the strings being bowed, the skins being slammed, the rumbles being rumbled.

You might notice that this time around, Water Damage haven’t just given their tracks reel numbers. They’re also called “Fuck This” and “Fuck That.” I take that as instructional. Whatever you’re doing, whatever you’re fretting about, whatever someone’s trying to use to occupy your attention so you’ll buy something or vote for something or ignore something: Fuck This. Fuck That. Listen to Water Damage. – Marc Masters

Water Damage is Mari Maurice, Thor Harris, Nate Cross, George Dishner, Travis Austin, Mike Kanin, Greg Piwonka, Jeff Piwonka

Engineered by Max Deems at Diseased Tapes Billion Dollar Studios. Mixed by Travis Austin.

Mastered and lacquers cut by Carl Saff. Art and design by Greg Piwonka.

Coming April 29 : Water Damage – ‘Repeater’

photo by Angela Betancourt


stream “Reel 5B” / preorder ‘Repeater’

Water Damage – ‘Repeater’ (12XU 133-1)
out April 29, 2022

There is something really special about music based on drones. Whether it’s the vocals of Pandit Pran Nath, the ARP 2500 of Eliane Radigue, or the nearly-blown amps of Sunn O))), by changing the listeners’s focus on details to one that favors flow, drones are uniquely capable of transporting our brains far far away. The debut LP, ‘Repeater’, by this loudly droning Austin septet is a goddamn splendid example of how the process works. Using the motto, “Maximal Repetition Minimal Deviation,” Water Damage create glowing fields of post-rock lava that pretty much suck you right in and boil you alive.

Water Damage, while technically a septet, actually operate in various configurations, with the proviso there should always be two drummers and two bass players on hand. They prefer if each of their sonic ideas takes up a whole reel of tape, and once they start they don’t look back. Everything proceeds towards an imaginary end point that is only achieved when the tape starts flapping. What a way to run a railroad!

But the folks in the band are all vets of various projects – Spray Paint, USA/Mexico, Marriage, Black Eyes, Thor & Friends, among others — so let’s assume they know what they’re doing. And why not? They sound fucking great. Their approach to the form is less front-loaded than most of their peers, and the surface of their sound is sometimes ruffled by aural events of an un-drone-like nature. But the main gush is usually a blend of harmonic tones and textures pointing towards a goal that is just out of
ear-shot, just over the next bluff, and perhaps forever just beyond our reach.

So remember to drink plenty liquid while you spin this fine album. Nobody wants you to parch.
–Byron Coley

photo by Angela Betancourt

Bass : Nate Cross
Bass : Jeff Piwonka
Bowed Guitar : Travis Austin
Drums : Thor Harris
Drums : Greg Piwonka
Drums : Mike Kanin
Synthesizer : George Dishner

Engineered and mixed by Max Deems at Diseased Tapes Billion Dollar Studio

Mastered by Carl Saff